Showing posts with label Jeff Decker. Show all posts
Showing posts with label Jeff Decker. Show all posts

August 1, 2013

JEFF DECKER'S 'BLACK LIGHTNING' AT AUCTION


From the Bonhams Quail Lodge auction catalog (which I wrote!):
Jeff Decker is rightly famous for his sculpture, the motorcycle equivalent of Frederick Remington, which has earned him the position of ‘official Harley Davidson sculptor’; his twice life-size ‘Hillclimber bronze statue outsidethe Harley-Davidson Museum in Milwaukee is truly magnificent and a testament to his tremendous artistic talent.  Mr. Decker is also a collector of rare motorcycles (Crockers, genuine racing Harleys from the 1920s onwards, Speedway machines, etc), motorcycle memorabilia, motoring artwork, and ‘1%er club cutoffs’, the sleeveless vests emblazoned with motorcycle club logos.  All of his obsessions with the art and culture around motorcycling have made him a legend in his lifetime, especially for his outspoken opinions on these same subjects.

Jeff Decker is equally outspoken regarding his ultra-famous customized motorcycle, a 1952 Vincent Rapide which he calls ‘The Black Lightning.Decker uses the term ‘Lightning’ to emphasize his machine’s full-race specification, and to puncture any inflated notions that the infamous Vincent Black Lightning – of which only 31 were built – was the greatest motorcycle ever.  In truth, the men who made Vincent famous by setting numerous speed records and winning ‘drag races’ all across the Southwest - Marty Dickerson and Rollie Free – used race-tuned Rapide and Black Shadow models.  

The fact that the most famous Vincents are not actual ‘Black Lightnings’ is critical to understanding Jeff Decker’s motorcycle: the parts used in its creation are mostly ex-Marty Dickerson, as used in his Bonneville Salt Flat record attempts and drag-racing career. They were gathered from archVincent collector and recognized authority Herb Harris, who supplied the ex-Dickerson crankcases, two front cylinder heads, and genuine Black Lightning wheel hubs.  Most parts used are genuine Vincent, and the engine is tuned to Black Lightning specification, with MkIII racing cams, and two ‘front’ cylinder heads.  As the important parts of his machine were actually used in competition, Jeff Decker says “my bike’s got more racing history than 90 percent of the Lightnings out there.”

After collecting the necessary basics, Decker set about narrowing the fuel tank by 4.5” and lowering that tank as much as possible onto the engine to emphasize the brutal beauty of the Vincent V-twin engine.  The tiny ‘banana’ seat is cantilevered from the rear engine mount, and makes the saddle height nearly 8” lower than stock.  He fabricated a custom exhaust system with terminates in a ‘waffle box’ silencer underneath the engine.  The handlebars are straight, with Decker’s own custom-fabricated controls.  The headlamp is a tiny unit tucked well into the girder forks, which use a custom hydraulic shock absorber.  The alloy wheel rim flanges are ‘Deckerated’ with aesthetic drilling, along with the brake cooling ribs, andan original Black Shadow speedometer crowns the front girder fork.  The complete machine is amazingly compact and light, weighs significantly less than a standard Vincent, and looks lean and tough.


Jeff Decker’s “Black Lightning” is a rare thing; a custom motorcycle built by an actual artist, with his hands and by his own design, as an homage to the machines which passed into legend through their racing and record-breaking success.  It is especially rare being a ‘sculpture’ by a famous artist which can actually be ridden down the road, and ridden hard.

February 16, 2012

JEFF DECKER AT DOUBLE RL

The 'Bathing Suit' Vincent of Rollie Free
Sculptor Jeff Decker has collaborated with Double RL to sell a limited-edition line of belt buckles from his Hippodrome Studios.  Jeff also collects, and sometimes modifies, some very rare motorcycles, a few of which he brought to the Melrose Ave RRL store in LA for a post-Inspiration party.
Jeff Decker with Ian Barry of Falcon Motorcycles.
I wrote a brief article about Jeff for Motorcycle News (MCN) in England last year, for their 'Retro' (Sep. 2011) special issue.  To give a little background about the man, here's the article:
Decker's customized Crocker; unafraid to make controversial choices, and built to suit his tastes
"Jeff Decker is as famous for being a strong character as much as for his art, which is a shame, as he’s a truly gifted sculptor. Watching Decker shape clay is a quick dictionary lesson in ‘talent’; little blobs of nothing magically cohere under his fingers, and suddenly a shirt is rippling in the wind, cheeks pressed against a skull, a Cyclone cam drive -right down to the nuts- is released from its prison of moistened dirt. From humble clay and wax, later cast in bronze, come a the heady tang of exhaust, sweaty determination, the roar of engines and crowds, an evocation of lost eras of men wrapped over primitive machines, racing for their lives, sometimes losing them. As Frederick Remington did for the cowboys, so Jeff Decker does for motorcyclists.

'West Was Won'
His prodigious gift for sculpting men and motorcycles earned him an exclusive deal with Harley-Davidson to ‘represent’ HD in bronze, and a monumental flailing hillclimber greets visitors to the HD Museum in Milwaukee. His sculptures of Rollie Free’s 150mph Vincent stretchout and battling board track racers romanticize a lost era of dangerous masculine competition, a man-credo Jeff embodies with his gruff, opinionated persona and patch-wearing membership in the Sinners cycle club.

A 1916 Harley 8-Valve Board Track racer in miniature, at the moment of victory
Decker’s moto-streak runs deep, and his passionate knowledge of the subject extends to a profound collection of biker club 'cuts', paintings, and actual motorcycles, which he’s been collecting since they were cheap. He grew up surrounded by mechanical torch-bearers like his father, a collector of flathead hotrods and parts, a man with a good eye in the early SoCal hotrod scene, and whose buddies nowadays bring awe to young wannabes. Decker is the real deal, and isn’t afraid of anyone’s opinion, customizing revered brands like Crocker and Vincent to express his own lines. As expected for a talented artist, the results are harmonious while respecting the past, and lend the old warhorses a renewed super-cool."
Directing traffic in the retail-cum-gallery space
The Crocker in the hay
The Crocker engine was its genius, plus the styling of the original.  What made Al Crocker famous - even though a mere 100 of his powerful v-twins were made from 1936-42 - was his powerful engine, pumping out 55hp when an HD or Indian made do with 40hp.  Decker has built a custom frame, using an AMC 4-speed gearbox.

The Hippodrome belt buckles for Double RL
This sculpture of a hillclimbing Harley ('By the Horns') was commissioned by Willie G. Davidson  for use outside the new Harley Davidson Museum...but life-size.
Jeff's personal 1930 Harley Davidson 'DAH' 750cc OHV hillclimber
'Ruby', 'The King and his Ride', 'The Wrecking Crewe (Jim Davis AMA trophy bust)', '1916 Big Valve Excelsior'

The DAH Hillclimber sits outside with an H-D 'CAC' speedway racer.


Plenty of partygoers check out the scene
Kelly Decker
A poetic motion in a violent moment

February 14, 2012

INSPIRATION: RIN TANAKA'S AMERICAN HERITAGE


Many have attempted to label the growing movement celebrating historic fashion, vehicles, design, and imagery - 'revival', 'retro', 're-enactment' - but I prefer the term 'Heritage', which implies continuity between what our parents or ancestors found to be of quality, and our enjoyment of the same.  Nostalgia is a dead end...we can't 'do' the past again, and wearing a detail-perfect 40s/50s/60s ensemble looks great in magazine shoots with the help of an art director, but usually appears costume-y in 'real life'.  What's interesting in the present is the trend for discovering and embracing what's valuable from the past, intended for use today. 
Heller's Cafe was the subject of Tanaka's 'King of Vintage'
Ralph Lauren has built a billion-dollar empire on exactly this principle, but even his empire has recently refined the practice to chime in with what the 'kids' have been brewed up the past few years. The 'Double RL' brand takes select pieces from the enormous RL archive of clothing (he's sent scouts around the US for decades, buying up the coolest old clothes, rugs, jewelry, furniture, etc) and reproduces them exactly, down to the threads and loom weaves.  Sometimes the pieces are 'aged' to match vintage patina, sometimes they're simply brand new sweaters, shirts, or suits from another era, chosen because they still 'work' today.
Is it Easter yet?  Rust's collection of Bell helmets and their own gloves
The greatest push in the direction of Heritage has come from a culture removed from the original source - Japan.  Japanese magazines and manufacturers have been doggedly pursuing authentic examples of denim, workwear, and leather goods for years now, going as far as purchasing the original American machinery which created long-lost fabric weaves, in the quest to re-introduce obsolete gems.
'Made in Japan' means obsessive attention to detail and quality...
Rin Tanaka was the first to bridge the great divide of language and the Pacific ocean to bring the peculiarly Japanese style of presenting the obsession; plain white pages of a book laid out with dozens of examples of just THAT kind of jacket, t-shirt, boot, helmet... while his very basic layout style is typical of the Japanese magazines, it's considered bad design by Western publishers - too simple, too much information per page, no 'style'.  But of course, that IS the style, and Tanaka's self-published 'My Freedamn' series of books have become cult objects in themselves, and an inspiration to me for many years - they are the most 'punk rock' of books, with text in second-language English, and no-nonsense cataloging of California t-shirts, motorcycle jackets, motorcycle helmets, vintage work wear.
The new antique.  No crude stone-washes, all artfully done.
The depth of his obsession has been his success - 'The Motorcycle Helmet' and 'Motorcycle Jackets; a Century of Leather Design' books have sold (and still sell) extremeley well, and his 'Harley Davidson Book of Fashion' is an important exploration of the genre of moto-clothing.  With cooperation of the Harley factory and free access to its archives, Tanaka laid plain what had previously been an 'underground' phenomenon; fashion designers use Motor Clothes as inspiration for countless 'new' collections on the runway and in your local stores, but until Rin began collecting the original items and related imagery in books (by finding people who'd spent their lives - and savings - cultivating collections), a detailed history of motorcycle fashion was known only to a few.

As Rin Tanaka's influence expands with more books published and more readers, he's bringing the manufacturers and collectors of Heritage gear together with his 'Inspiration' shows. This was year 3 for Inspiration, and the second aboard the Queen Mary; the show grows every year, and next Feb may see it expand into the nearby dome for more vendor space.  The photographs here give a sampling of the people and businesses who inhabit the Heritage universe, quite a few of whom are motorcyclists. 

Savvy American companies 'get' what's happening, and bring out their own heritage designs, or partner with Japanese designers for a fresh look.  Vanson Leathers has 'only' been around since the 70s, but has earned their authenticity card.
Triumph Tiger 110 crankcase as décor; works for me.
Peter Max -inspired poster for Surfy Surfy boards

Sunrise Cycles from LA
Shinya Kimura's 'Needle' Harley Knucklehead based speed run machine; 118mph so far at El Mirage...
Sporster and vintage helmets...which is more dangerous?
Well-curated stalls; for the dedicated vintage-hunter, a pleasure
Not just Japan; Germany has a burgeoning Heritage clothing movement...Pike Brothers hails from Brannenburg.
This photograph in no way constitutes an endorsement of 'staying loaded'.  From Cycle Zombies.
Shinya's Knucklehead...
Shinya tries on his custom Dehen riding gear...with his 1915 'Cannonball' Indian behind.  He'll be running the Cannonball again this September, as will The Vintagent...
Non-rusty vintage stereo gear...still sounding great.  I grew up with radio-station McIntosh tube amps and enormous walnut-cabinet speakers...nothing like Dad's favorite Mahler symphony in the morning...(go ahead, give it a listen, its gorgeous).
Vincent - Right On!
This man is the Real McCoy.
Men's File!  Get yours now!  The premier English-language Heritage lifestyle magazine.
Men's File publisher Nick Clements discusses a vintage custom-order needlepoint Vans sneaker with avid Vans collector, photographer Dimitri Coste.
We are all nomads, wandering the earth for a time, our only home the dust of final resting.
Bill Wall, the Nomad, making jewelry on the spot.
Danilo Coto Cruz has been making non-DOT helmets since 1991 in Costa Rica, under the Pacto brand.  With a look like that, his wife could sell me just about anything...
Matsu and Co; the executive producer of EI Publishing in Japan, Atsushi Matsushima publishes Clutch , Lightning, etc; a Heritage magnate
Himel Bros. Leather of Toronto has published a great blog for many years, 'The Art of Vintage Leather Jackets'

Hats, newly made by West Brook Maker.  Lots of vintage American flags as décor, with fewer stars than today.
Jeff Decker brought some of his collection of 'Cuts' - motorcycle club cut-off jackets.  'Hell's Union' features a 5000 year old symbol used by many antique cultures, recently given an unfortunate association with a German madman, who spoiled it with a mere 25 years of mis-use.

Elvis 50s Corporation is a cross-Pacific business selling all sorts of crazy 'junk'
I remember Evel well, jumping at San Francisco's Civic Center on November 23, 1967, on a Triumph 'TT' Bonneville.


A vintage 4th of July costume ...

Sportster and Attitude.  Marble Cycles booth.
More Jeff Decker cut-offs; I lived next door to the Sons of Hawaii club house in San Francisco in the late 1980s.  There was no crime on my block, and I could leave my home and car unlocked - the Sheriff lived across the street!
Kelly Decker minds the store...
Promoting the new Clutch magazine, which features artist Conrad Leach in the magazine's premier issue.  That's Conrad's 'Lucky 13' satin jacket...
Brian Bent's daughter among his t-shirts and surfboards from United 50
Brian Bent of the Hot Rod Church for Sinners
Brian Bent's alter ego, 'Captain Fin', known for his dazzle-painted 'kook box' surfboards...
3 floors in Queen Mary's bilge...
It doesn't stop in the early 60s...a lone Psychedelic shop promoted the power of paisley.
Skateboards, surf boards, Cali tees...
San Francisco shoemaker Frank Beneduci
I have seen the future, and it is adorable.

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