August 28, 2012

CANNONBALL: PREPARING 'THE MULE'

The Mule; not afraid of dirt, although it played hell with the open cambox...
I've had my head so far inside my '28/'33 Velocette KSS/MkIV KTT hybrid, appropriately named 'The Mule', that I haven't had time to post all the photos from the magnificent Pebble Beach Week activities...patience! I thought I'd treat The Vintagent as a 'blog', for once, with a timely update on prepping an 80 year old, worn out motorcycle for a 4000 mile ride.
The Mule in 2005, on the notorious Wards Ferry Road, just outside Yosemite Nat'l Park
The Mule had sat since November 2009, when its gearbox literally split in half in front of 100 amused chopper riders, at the start of Max Schaaf's '69 Mile Ride'.  She fired up easily on the bump (no kickstarter - this is a race bike), and after a rev-rev to warm up, on engaging 1st gear the whole plot went clunk, and halted.  Due to 'massive life changes', July 2012 was my first chance to properly investigate the damage and repair The Mule, as she lives in a San Francisco warehouse, and I'd been in Paris, New York, and everywhere, as you've seen.   I wasn't expecting to ride the Velo on the Cannonball, as the engine is 1933, and I'd never found a frame number.  Dismantling the halved gearbox revealed a 1928 frame VIN, and voilá, I was no longer riding my '28 TT90 Sunbeam across the US... but The Mule still needed considerable work; a total tear-down was required.
The destroyed MAC gearbox, which objected to two gear shafts mating...

The Mule was built by Eddie Arnold, renowned Velocette restorer in SoCal, who died in 1981, and from whose estate I purchased The Mule plus garage contents (minus a MkVIII KTT, AJS K10, and other tasty restorations).   Eddie found her in the 1970s on the East Coast, where she started life, as the only Velocette KTT originally imported to the USA - to Mack Motors, who ordered only the engine, KTT 470, in 1933.  Clearly, the boys at Mack had a chassis to play with, which seems to have been a 1928 KSS, if in fact the current frame is the original Mack racing frame.  In 1933, US race tracks were all dirt, and The Mule would have been well acquainted with East Coast soil... but I have no record of her accomplishments.  Eddie Arnold decided the KTT would make a great Vintage race machine in the late 1970s, and after much development (he was the chief engineer of Mustang motorcycles in LA), she went from a mid-pack kicker to a consistent race winner.
Day 1; re-lined brakes, re-packed wheel bearings (adjustable taper rollers)
Sorting out Eddie Arnold's speed modifications required moto-forensics, and the starting point was obviously the gearbox.  Velo 4-speed gear clusters were used from 1933 to 1972 without much alteration (except the shape of the box they came in), and aren't known to 'blow up', but MAC 350cc gearboxes are fragile, as the gears are slimmer; second gear especially is known to shed teeth, which is exactly what happened with The Mule.  For whatever reason (most likely convenience), Eddie modified a MAC box to fit the KSS frame - not a huge change, but it required a bit of welding and machining of the gear case.  The MAC model was very popular in SoCal in the 50s, having won the 1953 Catalina Grand Prix under the helm of John McLaughlin; it was light, tuneable, quick, and very durable, as are all Velos.  The proper 1920s/30s 'Two Stud' Velocette KSS/KTT gearboxes were thin on the ground in LA, as Velos were never imported to the US at that time... The Mule is a singular beast.  She was part of a litter of around 80 MkIVs, so the several important parts which identify her pedigree are rare spares indeed.
Day 2: new bigend and mains, crankcases assembled
Luckily I'd amassed a lot of gearbox and other parts over the years, and had a proper '4-speed, Two Stud' KSS shell for The Mule.  The gear cluster is identical to a 1960s Venom or Thruxton, and within my warehouse lurked a small hoard of new old stock gearbox parts in their original Cosmolene (a thick waxy coating protecting machined parts for shipping and against corrosion).  So, the gearbox was at least a straightforward fix.
Day 3; the 'two stud, four speed' gearbox rebuilt and installed
Much less straightforward was the engine; I knew from letters published around 1980 in Velocette Owners Club magazines ('Fishtail West') that Eddie Arnold had heavily modified the KTT motor to arrive at the little beast's outrageous performance.  The flywheel had been lightened by 7lbs, a Manx Norton 79mm forged racing piston installed (giving a capacity bump to 400cc), the cylinder head was ported for a larger carb, and the camshaft was his own design.  That proved the most problematic part, as the camshaft lobes and rocker arms were completely worn out; nothing was standard.  I would either have to re-create Eddie's modifications, or repair his worn parts, or replace his handiwork with standard KSS/KTT items, losing the sparkling performance.  An indication of that performance can be found in John Jennings' test ride report from the Australian 'Fishtail DownUnder'. The Mule had been timed on the 2000 Moto Melée at 105mph and climbing, which is not bad for an 80 year old machine running on pump gas.  While I've had the great fortune to meet two gentlemen who'd raced MkIV KTTs at Brooklands - gaining the coveted 'Gold Stars' on them - those bikes had run on alcohol, which gives a 10% power boost, and cooler running.  The Mule is clearly a special creature.
Day 4; cylinder and head attached
Dismantling the cambox showed Eddie's thinking; he'd installed a MkVIII KTT cam (the 'K17/8' cam, introduced in 1938, whose profile is also used on the Venom and Thruxton models - it has a huge 'overlap').  But the cam form which won the 1949 World Championship wasn't good enough; Eddie separated the two lobes and re-positioned them to further lengthen the valve overlap, then added a bit of metal at the top to also increase lift.  The KSS/KTT cam is secured on its shaft by a keyway, and in splitting the lobes, the slots no longer aligned.  The tool used to create the slot inside a hole is called a broach, and these are notoriously expensive.  Eddie's workaround was simple; he brazed the lobes onto the cam-shaft...a little 'barnyard' perhaps, but it held fast from 1980 until 2009...and is still holding fast, making the whole cam setup scrap, unless I can find someone to restore the cam in situ.  He had also lengthened the arms of both rockers equally on cam and valve sides, which put pressure one side of the valve stem, causing valve guide ovality.  This mod is less easy for me to understand, and as the parts are worn, it will take some forensics, math, and graphing to sort out the valve timing he developed.

Time proved the decider on the camshaft dilemna; I'd have to 'make do' with standard parts in order to have The Mule ready in time for The Cannonball Rally.  Sad to lose The Mule's distinctive kick, she'll have to play pack-horse across the USofA; still fast, but not crazy fast.  As a speed-demon rider, I'll re-create the 'Arnold' cam system (and duplicate it; I have a bronze-head 1920s KSS special in the works), but that project will have to wait until after September 23rd, when I arrive back in San Francisco at the end of the Cannonball...
Day 4; cam and ignition timing sorted, engine complete
In the meantime, there were other issues to attend; a new bigend (easy, with help), a new clutch (easy, but getting it to work properly took 12 hours of frustrated parts swapping), new brake linings (difficult to find jobbers willing to do one-off shoes), a fresh magneto (BTH sent the wrong one, so the 1970s rebuilt item is on the bike, with the new BTH -when it arrives- as a spare), etc.  4000 miles is nothing on a new motorcycle, but it's a long way on a Vintage machine.
Day 5; looking like a motorcycle....
The Mule has a proper oiling system to its cambox atop the iron motor, but keeping the oil inside, and not all over the rider and rear tire, is difficult, as the sealing arrangements are crude. She's always been a filthy beast, and I'm trying to improve her continence.  My pal Fred Mork, vintage racer and AHRMA stalwart, rebuilt the crankshaft with a new MAC bigend from Grove Classics in England - many thanks Fred!  He'd rebuilt the crank on my '66 Velo Thruxton way back in 1989...  Hannan's cylinder head shop made new valve guides out of solid cast iron, and a new inlet valve from an HD Sportster.  You read it right - the Mule has Harley parts; let's hope there's no organ rejection.  Both Fred Mork and Hannan's supplied their work near gratis, as unasked-for sponsorship of my ride.  Motorcycle people are the best.
Ready for a few more thousand miles...

August 27, 2012

HUGHES, GODFREY, AND THE RED BARON

Oliver Godfrey, winner of the 1911 Isle of Man TT, with his Indian at Brooklands
The Vintagent's obituary of art critic Robert Hughes brought responses from far and wide, some from unexpected quarters.  One raised my eyebrow though... a roundabout connection, via an arc of sky-borne bullets, between Hughes, Lothar von Richthofen (the Red Baron's brother), and 1911 Isle of Man TT winner Oliver Godfrey.
Lothar von Richthofen
It took a memorial speech about Robert Hughes in the Australian Parliament to reveal a deeper story of the Hughes family, which included his father Geoffrey Forrest Hughes, an Australian ace fighter pilot in the Royal Flying Corps during WW1. The elder Hughes had gained fame by shooting down Lothar von Richthofen, less famous than his brother Manfred, but still plenty deadly, with 40 'kills' to his credit.  Lothar flew in his elder brother Manfred's Jasta 11 fighter group (the 'Flying Circus'), the unit which decimated 75% of the Royal Flying Corps' planes in 1916.
Geoffrey Forrest Hughes (right) speaking with Prince Albert in 1927
One of these RFC planes, a Martinsyde 'Elephant' bomber (yes, Martinsyde made motorcycles too), was crewed by none other than Oliver Godfrey, who had joined the RFC in early 1916, before new 'hunter' squadrons were organized by Oswald Boelcke of the German Imperial Army Air Service.  Only 5 years prior, Godfrey headed the Indian 1-2-3 victory at the 1911 Isle of Man TT, and became a hero for racing, but not shooting down planes.  Thus are the connections between motorcyclists revealed; Robert Hughes, the brilliant Australian critic on his Norton Commando, and Oliver Godfrey, the taciturn English TT winner on his Indian, via a pair of German aristocrat brothers with a talent for flying, in what was once the most likely opportunity for young men to visit far-off lands...War.
Critic Robert Hughes and his Honda CB750 ca. 1972

John Jennings, Velocette stalwart in Australia, forwarded the link from the website of Australian parliamentarian Malcolm Turnbull, who spoke at a memorial for Robert (Bob) Hughes (whose brother, Tom, is also in parliament), where this information came to light.  Red the full text here.

August 15, 2012

THE CROCKER STORY

Crocker engineer Paul Bigsby with rider Sam Parriot at Muroc dry lake, 1940
The story of Crocker motorcycles has been obscured by tall tales and myths since the very day they were introduced, first as Speedway racers, then big V-twins, and finally a scooter, all built before official US involvement in WW2 put a halt to civilian motorcycle production.  Wading through the murk around this famous American name, one bumps against vested interests and fast-held opinions, but enough facts emerge to which we can anchor our tale.
Paul Bigsby, Sam Parriot, and Albert Crocker at Muroc dry lake in 1940; Parriot recorded  136.87 mph on June 19, 1940 with the 'parallel valve' engine
Albert Crocker, born in 1882, had an engineering degree from Northwestern University's 'Armour Institute', an engineering school.  His first job was with the Aurora Automatic Machine Co, builders of Thor motorcycles, and Crocker not only developed Thor engineering, he was a keen and successful racer during 1907-09.  In the natural course of a racing career, he met and conversed with the pioneers of motorcycle manufacture and racing in those early days, including Oscar Hedstrom and Charles Hendee, the chief engineer and owner of the Hendee Manufacturing Co, makers of Indian 'Motocycles'.   Al Crocker developed a friendship with the Indian camp, and soon joined Hendee.  While working at the Wigwam, one of his supervisors was Paul Bigsby; their roles were reversed many years later.
Paul Bigsby and his 1936 Crocker 'Hemi'
By 1919, Crocker had opened an Indian dealership in Denver, Colorado, and there met, and eventually married, Gertrude Jefford Hasha, widow of Eddie Hasha, a famous 'Board Track' racer involved in the most notorious motorcycle racing disaster of the era.  On Sept.8, 1912, four schoolboys were killed (along with Hasha), and ten spectators injured, when Hasha's 8-Valve Indian went out of control, slid along the top safety railing on the banking, and clouted the four boys, who were craning their necks over the railing for a better look.  Spectator deaths generally mark the 'end of an era' for races (see also; Mille Miglia).  Crocker surely knew Eddie Hasha, given his employment at Indian at the time.  Gertrude and Al had one son (Al Jr), in 1924, the year they were married. 1924 was a big year for Al Crocker, with a new wife and infant son, he took over the Kansas City Indian dealer/distributor,  but by 1930, the call of the West could no longer be ignored, and he sold his dealership to 'Pop' Harding, and purchased the Freed Indian dealership at 1346 Venice Blvd in Los Angeles.  This address would become legendary as the home of Crocker motorcycles.
The Crocker 'conversion' engine, from an Indian Scout, in a Rudge speedway frame
In 1931, the legendary US speedway rider Sprouts Elder, who had been 'Thrilling the Millions' from England and Australia to Argentina, brought the sport of Speedway to the US, and it rapidly gained the kind of popularity it enjoyed in the rest of the world.  In response, Crocker put his engineering skills to the test, building a speedway frame to accept a '101' Indian Scout engine 45cu" (750cc).  This proved satisfactory, and in 1932, Crocker set about producing an OHV conversions for the Indian motor;  the bolt-on cylinder and head echoed Indian factory racing practice of 1925/6, when an OHV Indian '45' was timed at 126mph, running on alcohol. These first OHV conversions had a 500cc (30.50cu") capacity, and when tested in the Crocker-built speedway frame, proved satisfactory in power output, out-performing the Rudge engines which were then dominant in Speedway.  A few Crocker OHV kits were apparently sold to the public.
The Crocker 750cc OHV conversion for the Indian Scout motor
In 1933, Crocker and Bigsby developed a single-cylinder 500cc (30.50ci) OHV Speedway racer, undoubtedly in response to the lighter weight of single-cylinder engines vs. the Crocker OHV v-twins.  A side note here; while rumor considers Bigsby (later famous for inventing the 'Whammy Bar' or tremolo for electric guitars) to be responsible for the Crocker engine design, Al Crocker was a trained engineer who had worked in motorcycle engineering for decades with Thor and Indian, as well as being Bigsby's employer...and while Bigsby was known to 'blow his own horn', certainly the Crocker motorcycles had input from many quarters.
The 1934 Crocker Speedway catalog
The Crocker Speedway racer's first appeared on the Emerville CA speedway track on Nov 30, 1933, and won 9 of 12 heats in one evening, prompting The Motorcyclist (Dec 1933) to rave of their début, "...two spotless and keen pieces of racing equipment surely worthy of the best the country had to offer as their pilots. The first race was ridden by Jack Milne…speedman par excellence...and Cordy Milne....Two American-built night speedway racing engines swept the boards…9 first places and 3 second spots out of 12 starts…The call came suddenly for the builder, for Al Crocker who was in the pits…[He] came to the microphone. His speech was short, brief; just the sort of thing that the situation called for…He was glad that they [the bikes] were good…They would be better."
The Crocker Speedway racer of 1934
With limited production facilities, only 31 of the Crocker Speedway models were built; Crocker even built a pair of experimental chain-driven OHC engines in 1936, which were intended to counter the new JAP Speedway motor, with 42hp.  It was clear the Crocker Speedway engine would need further development to remain competitive, but rather than continue with Speedway racing, Al Crocker turned his attention to the project which would hammer his name in stone, the big V-twin.
Not a sanctioned Speedway outfit; the Crocker Speedway machine
Designed during 1935, the Crocker big twin was designed as a durable and powerful, yet fast and nimble machine.  Its 45degree V-twin engine had hemispherical OHV cylinder heads, and a nearly 'square' bore/stroke (3.25"x3.62" - 62 cubic inches displacement), and an incredibly robust 3-speed gearbox.  While Bigsby made the patterns, most castings were subcontracted, then machined in-house.  The first models (the 'Hemis') used HD valve gear, Indian timing gears and brake shoes, plus occasional HD or Indian headlamps and ancillaries, leading to later rumors that Crockers were built entirely from Indian or HD parts, which is of course untrue. The heavy steel gearbox formed part of the lower frame, its case being brazed in place, its 3-speed gears and shafts so overbuilt that damage is unheard of even today.  Their most unusual feature was a pair of cast-aluminum fuel/oil tanks, holding 2.5 gallons initially (the 'Small Tank' models).  Most ancillary parts were purchased from standard motorcycle industry suppliers like Autolite (electrics), Linker (carbs), Messinger (saddles), Splitdorf (magnetos), and Kelsey Hayes (wheel rims).

Introduced in 1936, there was no 'standard' Crocker, as every customer, echoing Brough Superior practice, could specify the state of tune and displacment of the engine; the cylinder barrels were cast with extra thick walls, and could be extensively overbored; engines were built from 1000cc, to 1490cc, in the most extreme case.  The 'typical' 62cu" Big Twin produced ~55-60hp, which exceeded the current sidevalve Indian and HD models by 50%.  So confident was Al Crocker in the superiority of his twins, he offered a money-back guarantee for any Crocker owner who was 'beaten' by a standard HD or Indian, and of course, no such buyback was necessary.  Crocker had built the fast production motorcycle in the US, with speeds over 110mph the norm.  Harley Davidson introduced their first OHV v-twin - the model EL 'Knucklehead' - 6 months after the Crocker, but was 15mph slower.
Rider Homer Wood at Muroc dry lake with his 1936 'Hemi' Crocker
If not the fastest production motorcycle in the world, the Crocker was certainly in the same league as the HRD-Vincent 'Series A' Rapide, and while the Crocker's 3-speed gearbox and rigid frame was technically inferior to the Vincent's advanced swingarm and 4-speeds, the Vincent's bought-in Burman gearbox and clutch were unable to cope with the v-twin's power.  Conversely, one cannot imagine a Crocker racing at the Isle of Man!  'Horses for courses', it seems...
The 1936 'Hemi' Crocker engine, with exposed rocker and valve gear
The first 17 Crocker twins had hemispherical combustion chambers and a lovely 'Crocker' embossed rocker arm housing.  Known as the 'Hemis', their performance established the Crocker legend, although there were problems with valve train wear, as the exposed valves/guides/springs were vulnerable to grit and dirt.  Crocker redesigned the cylinder heads with parallel valves and enclosed springs, and what is effectively a 'squish head' combustion chamber.  Crocker continually developed his cylinder heads, and two different 'Hemi' castings were used (even on such a short production run), with four changes to the parallel-valve casting over its 5-year run.
The 1940 'Big Tank' Crocker which sold at the Bonhams Quail Lodge Sale for $302,000
To give his Crockers an extended range, the size of the cast-aluminum fuel tanks was enlarged in 1938, making all earlier models 'Small Tanks', and later models 'Big Tanks'.  Crocker continued to develop his motorcycles through his limited production of perhaps 72 total V-twins, but eventually ran into problems with ancillary suppliers, as the US geared up for WW2.  By 1942, 'war work' restrictions meant Crocker could no longer produce his motorcycles, and Crocker didn't resume production post-war.

The Crocker has rightly become a coveted and very expensive machine, deserving of its place on the Olympus of Motorcycles, with the Brough SS100 and Vincent Series A Rapide, the world's first 100mph production motorcycles, all big and impressive V-twins built in small numbers for a small and discerning clientele...
The red 1937 'Small Tank' Crocker which sold at Bonhams, also at $302,000
Bonhams is auctioning 3 beautiful  Crocker V-Twins this week at the Quail Lodge sale; two 'Small Tanks' (both 1937) and one 'Big Tank' (from 1940), all with the parallel-valve cylinder heads.  It will be interesting to see just how far into the stratosphere these legendary machines have flown...estimates for each machine range from $240,000-370,000.  For comparison, $243,000 is the current 'entry point' for my Top 20 Motorcycles at Auction...so if each machine meets its reserve, there will be some shuffling at the top; two Crockers were recently 'bumped out' of this list by recent Brough Superior sales in England, and a couple of GP Ducatis88, but no Crocker V-twin has sold at auction since 2008.  Maybe this American legend will duke its way back into the top of the heap...[Note, all the Crockers sold near $300,000, and entered my 'Top 20' at Auction]
One of two 1937 Crocker 'Small Tank's for sale at Bonhams

August 13, 2012

WET PLATES ON A DRY LAKE

Alain de Cadanet astride the 'Edgar' Vincent Black Shadow, on which Rollie Free made his infamous 'bathing suit' run at 150mph at Bonneville in 1948.  Alain was filming for the Discovery Channel, and brought a bathing cap and swimsuit!

The common wisdom of shooting collodion/wet plate is you need lots of water and mild conditions, neither of which applies to the harsh dryness of the Bonneville salt flats.  I don't know if anyone has shot tintypes there, but I brought my Chamonix view camera and a van full of chemicals, and set up a rough-and-ready darkroom in the brightest, whitest, shadelest spot on earth.   The reflectivity of the salt, the utter lack of clouds or greenery, made chaos of my exposures and nearly solarized any shots not made under a canopy.  And their blown-out quality catches something of the ceaseless glare of the place, and its harsh beauty.
Ana Llorente, an East Side Moto Babe, on her 175cc Motobecane
Jared Zaugg drove from Salt Lake City to say hi to the gang; here on Vincent Prat's 'Team Impossible' Triton, shipped from Toulouse
This '47 Knucklehead looked right at home on the salt; ridden in, ridden around.  The extreme light reflection from the white salt and bright sun makes exposure times tough to calculate, and plays tricks on the collodion
Artist Maxwell Paternoster of Corpses From Hell visiting the USA for the first time; straight to the salt!
Shinya Kimura wrenches on his HD Knucklehead special, 'the Spike', which had just done a 114mph run.  As there is no place to wash the tintypes after exposure (they need 10 minutes under running water to clear out the chemicals), they must sit in a tray of water after exposure and fixing.  The collodion substrate is extremely soft and vulnerable to scratching, especially when the photo is transported 600 miles in the back of my van before washing...
Southsiders Vincent and Olivier Prat with their 'Impossible' Triton, with which we could relive a bit of 'Wheels and Waves', but the ocean had receded, and we were left with salts of the long-vanished Bonneville sea. 
Willy and his fantastic T-bucket 'Krautliner'...which did 247mph...
Looking like an 1890s 'Wanted' poster, David Borras of El Solitario MC
Shinya and Ayu with their Knucklehead...

August 9, 2012

'OLD BILL'

'Old Bill' as she sits today
HandH Classics in England have secured the rights to sell 'Old Bill', the second most famous Brough Superior of all (the first being, of course, the bike on which TE Lawrence was killed).

Before we go on, a correction; their press release claims HandH Classics have sold the most expensive motorcycle at auction, which is simply not true by any calculus. That spot goes to MidAmerica Auctions, whose sale of a Cyclone in July 2008 hit $551,200; as the English Pound has never achieved a 2:1 ratio with the US Dollar, the £280,000 ($465,350 on the day) sale of a Brough SS100 in 2011 is hardly the greater sum. Let's get the facts straight, HandH; to keep abreast of the most expensive bikes sold at auction, follow my 'Top 20' here.
George Brough on 'Spit and Polish' with 'KTC' JAP engine, Druid forks, and 'dummy rim' brakes fore and aft.  1922
Back to the story!  'Old Bill' started life as 'Spit and Polish' (vernacular from the military 'spit shine' on boots), a specially built Brooklands racer noted for its ultra-clean appearance, starting a trend (Bill Lacey usurped George Brough's spot for the cleanest racers, with his entirely nickel-plated, immaculate machines).  While 'Spit and Polish' won success at the track with its specially tuned JAP 'KTC' 976cc sidevalve engine, from the talented hands of Bert LeVack (development engineer for JAP at the time, and rider of tremendous talent).  The bird really sang, though, when LeVack offered GB the prototype JAP 'KTR' racing sidevalve engine, which would become the basis for the Bough Superior 'SS80' model.  The crankshaft was radically lightened until a single 'spoke' connected the big end, mainshaft, and an outer flywheel rim, which gave the ultra-light machine the acceleration of a scalded cat.   The fully developed machine was reborn as a sprinter, and re-christened 'Old Bill', a character in Bruce Bairnsfather's WW1 comic book.
George Brough aboard the transformed 'Old Bill', and note the changes - new twin-camshaft KTR engine, a lower frame with extra struts, a drum front brake, and new Webb forks
While George Brough is best known as the manufacturer of Brough Superior motorcycles, and his prowess as a salesman and spinner of enduring ad copy has overshadowed his considerable skill as a rider.  Long before he built his own motorcycles (starting in 1919), George was winning trials and races on his father William Brough's machinery (Broughs, too, but not 'Superior'...although many consider his father's engineering superior to his son's, as he built his own engines - something George never did successfully).
A period postcard showing a young George Brough aboard a Brough motorcycle, after winning three London-Edinburgh trials in 1910-1912 (from the Brough Superior photo archives - worth a visit!)
'Old Bill' was George Brough's ultimate sprint weapon, and he bested the most famous sprinter of the day - George Dance on his Sunbeams - many times, winning 51 sprints in a row in 1922/23.  'Old Bill' crossed the finish line on race #52 in first as well, but George was elsewhere, busy scrubbing the flesh off his buttocks 100mph on gravel, 'Bill' having bucked him a few yards before the finish...an experience which ended his racing career, and meant several months of painful skin grafts in those pre-penicillin days...
Rider A.Greenwood aboard 'Old Bill' at the 1924 Doncaster Speed Trials
As the Brough Superior factory was hardly flush with cash, 'Old Bill' was stripped of its racing bits (ie, that crankshaft and those specially ported cylinders, plus the added frame struts), and rebuilt as a road bike...not exactly a 'race horse to cart horse' transformation, as it was still a Brough after all.  During WW2, the bike was damaged, but VMCC founder and arch BS enthusiast 'Titch' Allen purchased and restored the machine, with the help of GB himself and plant manager Ike Webb, to resemble its famous ca.1922 racing trim.  While GB gave up official motorcycle production during WW2 (he did assemble a few during the conflict, from leftover stock and bent machines) the precision engineering business he'd pursued during the War continued for many years, the business changing hands twice since then, first to the Card family, and now to the Mark Upham equipe, who are building brand new 'to 1927 spec' Brough Superior 'SS110's.
1962; the restored Brough, back to 'Old Bill' spec, with 'Titch' Allen aboard, George Brough behind  (smiling, with cap and goggles) and Ike Webb at far right
'Old Bill' passed from 'Titch' Allen to his son Roger, who sadly lost his life racing at the Isle of Man.  Roger's widow has displayed the machine at the Nottingham Industrial Museum since, and is now coming for auction on October 4th, at the Imperial War Museum in Duxford, along with the rest of the Roger Allen collection.
George Brough in 1962 having one last 'go' on 'Old Bill' at the very Clipstone 'track' (really the driveway to a private estate, paved in gravel!) where he last raced the machine in 1923.

August 7, 2012

ROBERT HUGHES: ART CRITIC, MOTORCYCLIST

Art critic Robert Hughes in 1986
A champion of Motorcycling has died after a long illness; Robert Hughes, creator/host of the 'Shock of the New' television series and long-time art critic for Time magazine.  While artists and public television watchers knew Hughes for his acerbic opinions on art and artists (he once described the work of Jeff Koons as "so overexposed it loses nothing in reproduction and gains nothing in the original"), he was also a motorcycle fan.  More importantly, he was the most visible and well-known art critic to defend the inclusion of motorcycles in the Guggenheim Museum, at the 'Art of the Motorcycle' show.
Robert Hughes with the Honda CB750 he mentions in his infamous Time magazine review of the 'Art of the Motorcycle' exhibit at the Guggenheim Museum (photo -w/notes- from the Duluth Art Institue blog).  And isn't that jacket something!
The most famous art critic in the world 'came out' as an avid motorcyclist in his Aug 18, 1998 column in Time magazine, 'Art: Going Out on the Edge':
"The fact that the great spiral of New York City's Solomon R. Guggenheim Museum is at present full of motorcycles has annoyed some critics. Not this one. If the Museum of Modern Art can hang a helicopter from its ceiling, why can't the Guggenheim show bikes? "The Art of the Motorcycle" may seem an opportunistic title until you actually see the things. Design is design, a fit subject for museum consideration, and in any case I'd rather look at a rampful of glittering dream machines than any number of tasteful Scandinavian vases or floppy fiber art."
Cliff Vaughs' 'Captain America' chopper, called by Hughes '...a distinctive form of American folk art."
The article laments the inclusion of only a single 'custom' motorcycle in the 'Art of the Motorcycle' show; the 'Captain America' chopper designed by Cliff Vaughs for the film 'Easy Rider': "...everything in [the show] is stock, so that it ignores the creative ingenuity that has gone into making the custom bike one of the distinctive forms of American folk art."
Of course, the international explosion of Custom motorcycles since this 1998 article has merely reinforced Hughes' opinion on their importance at the 'art' end of the motorcycle spectrum.
Robert Hughes in his motorcycling days, ca.1972
Hughes wrote of owning two Norton Commandos before moving on to Honda CB750s in the early 1970s, and to having a bad accident on a Kawasaki, which ended his biking career.  A fascinating and controversial writer, he drew from a deep reservoir of historical knowledge to support his arguments, whether or not you agreed with them.  More important to The Vintagent, that seminal Time article championing Motorcycles was read by millions, far more than than were able to attend the Guggenheim show itself, and helped usher a sea change in public opinion about bikes, as worthy subjects of study and exhibition.

For Hughes' obituary in the New York Times, click here.
For a selection of his scathing art criticism, click here.

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