Showing posts with label Ducati. Show all posts
Showing posts with label Ducati. Show all posts

June 5, 2013

MIKE 'THE BIKE'; THE SKETCH

Mike Hailwood aboard his Sports Motor Cycles Ducati 900SS at his big comeback race, the 1978 Isle of Man Formula One TT
You might have caught motoring artist Paul Chenard at last year's Goodwood Revival marketplace; he typically specializes in sports/racing cars from the 1930s-60s.  As with many 'car guys', he has a secret love of motorcycles too, and sent this pastel drawing of Mike Hailwood's legendary comeback win at the 1978 Isle of Man TT on his Ducati 900ss.  
Behind the GT Class-winning N.A.R.T. Ferrari GTO, Luigi Chinetti chats strategy with Phil Hill. In the background is the race-winning 250 TRI/61 of Jo Bonnier and Lucien Bianchi.
Paul, how about an older racing motorcycle to test your motor-sketch skills?  If you want to stick to Italian, the supercharged Gilera 'Rondine' winning the 1935 Tripoli GP would do nicely!
Luigi Fagioli en route to winning the 1935 Monaco GP in his Mercedes W25

January 1, 2013

COOK'S LAST RIDE


By Vicki Smith, as posted in her excellent Ducati.net website:
Cook Neilson racing 'Old Blue' - a heavily modified Ducati 750SS - at the Daytona Superbike race in 1977
"In 1969, Cook Neilson was 26 years old and editor-in-chief of Cycle Magazine, the largest motorcycle magazine in the world.  In those pre-internet days, if you were a motorcycle enthusiast, magazines were your lifeblood to all things moto - new models, race results - but it might be 6 weeks before you got the news “hot off the press”.  Cycle wasn’t the only magazine, but it might as well have been, so devoted were its followers. Cook was editor for 10 years and during that time he changed the vernacular of motorcycling, coining the term Superbike, and editing Cycle with a style of writing that set a gold standard.  He also introduced the multi-brand comparison test; getting the Brands to agree to the new concept of a heads-up test, surely saved more than a few lives. Cycle was known for its “can’t be bought” honesty, and the Japanese manufacturers understood honest reviews were important to their development; one-on-one brake and handling tests began the march towards better and safer motorcycles.  That’s why Cook remains important to motorcycling. But its not why he's important to Ducati, and that’s where this story begins.
Maintenance on the bevel-drive Desmo engine was a delicate matter...but Ducatis are tough
1971 – Bridgehampton raceway - Ducati’s US importer, Mike Berliner invited Cook Neilson and his managing editor, Phil Schilling, to test a prototype 750cc Ducati v-twin.  After a few laps it was clear to both men the bike was something special. They agreed to give more formal feedback on the styling which they felt could use some help; Phil gave Berliner a few drawings with styling suggestions, and eventually the production bike made its way to the US as the 750GT, which incorporated most of Cook and Phil’s suggestions.  Cook bought one and in 1973 entered it in a race at Riverside. Not long after he upgraded to the new 'desmo' 750 SuperSport, and began the project documented in the 'Racer Road' series, which was followed by over a half a million readers. Always good at coining a catchy  phrase, they called their Ducati racer 'The California Hot Rod', but to Cook and Phil she was just 'Old Blue'.  
Victory at Daytona; Neilson and Schilling, with Dave Emde (2nd, on left) and Wes Cooley (3rd), both on Kawasakis
If you've read the series you know their mesmerizing tales of long nights working on Blue with the radio playing in the background, clever fixes with the help of friends, and bleary mornings that came too soon.  It must have been a very crowded place... Cook, Phil, the Ducati and 500,000 readers waited for the mailman to bring the next installment.  No one expected a fairy tale ending but that’s what they got. They won the Daytona Superbike race in 1977 which really put Ducati on the map in America, delivering a market which until then had been very small.  The Ducati factory acknowledges that Daytona Superbike win as the most important Ducati race victory in America to this day; Ducati might not have survived the late 1970s without the American sales generated.  Cook Neilson and Phil Schilling remain to this day the two most important people in US Ducati history. And that brings us to Cook’s last ride.
Cook Neilson in his old 'Cycle' leathers, at the Barber Motorsports race track
Barber Motorsports Park, October 2012 – Cook decided quite some time ago that when and if he took his last ride on a racetrack it would be at Barber, on “Deja Blue”, an exact replica of the California Hot Rod. It had been 35 years since he and Phil won Daytona, and the original 'Old Blue' quietly resides in a collector's living room, atop an Oriental rug, that glorious music bottled inside the engine.  A few years ago, the Barber museum staff commissioned Rich Lambrechts of DesmoPro to replicate the Daytona 750SS, and exact, which is so accurate that both Cook and Phil assumed the Barber Museum had managed to buy Old Blue.
The replica of 'Old Blue' built by Rich Lambrechts.  I wonder if he researched all the little racing modifications done by Schilling and Neilson?
Deja Blue was built as a labor of love, and in anticipation of Cook's last ride, the Barber Festival weekend felt like stepping back in time. Some of the original Cycle staff were there, and looking thru the garage door you could see Cook’s wife Stepper quietly reading in a corner, as Cook (in his Daytona leathers) conferred with Phil, while Barber staff fueled the machine and fiddled withe the bike.  '1977' is the name of an Instagram filter; this scene could have been the inspiration. Cook and his friends have attended the Barber Vintage Festival every year, as a Grand Marshall and Hall of Fame’r, he rode demonstrations every year, but in 2011 he took a tumble, ironically on the Ducati with which 848 Jason DiSalvo had won the Daytona 200.  A sudden rain shower combined with a slick paint stripe, the 848′s quarter-turn throttle stepped the bike out, and down it went.  

It was a low-speed incident; could have happened to anybody. The bike was fine, but Cook broke some bones and the long drive back to Vermont gave him plenty of time to think. We joked - the 848 was the only Ducati ever 'binned' by the only two guys ever to win Daytona on a Ducati; did that make the 848 worth more?  All joking aside, Cook came to the conclusion riding Ducatis on a race track might better be left to others, so he asked George Barber for one last ride on Deja Blue. That day come, we all stood behind the museum, as Cook watched the Barber staff crank the bike up on rollers. Word had spread that this was Cook's last ride, and the space began to fill with people important to Cook’s (and Ducati's) past. Paul and Maggie Smart, Pierre Terblanche, Nick McCabe (who while at Ducati North America worked with Cook on the Cycle World “New Blue” project), Alan Cathcart, and more... it was a regular Ducati scene.  I was surrounded by people who understood why this, as David Letterman would say, “was something”.  The time came to go and Cook never looked back; he rode off, past the paint stripe, did his laps and returned the bike to the Barber staff. But his eyes, like most of the others were not dry. It was, we all knew, the end of an era."
- Vicki Smith

July 15, 2012

RIDE WITH THE DEVIL

As a contrast to the prior post critical of contemporary motorcycles, the following is my road test report for Ducati France, who were kind enough to loan me a limited-edition 2012 Ducati Diavel 'Chromo' for the Southsiders 'Wheels and Waves' event last month.  It's not entirely old bikes in The Vintagent's world...
Test-riding the 2012 Ducati Diavel Chromo in mixed company...
"Asking a Vintagent for his opinion of a modern sporting motorbike might seem odd, exposing the unbridgeable gap between his typical road-test fodder (Brough Superiors, ancient BMWs) and the Ducati Diavel Chromo I recently rode on the Southsiders 'Wheels and Waves' through the western Pyrenees.  And yet, in my saddlebags of Riding Experience swirls the whole history of sports and racing bikes; from 1920s flat-tankers, lighter than any contemporary roadster and exceeding all expectations of fun, through venerable Norton Manxes which inspire heroism, to chubby 1970s Metisse-framed Japanese fours, desperate attempts to marry a non-wobbly chassis to an unburstable engine. I’ve even owned a few –whisper it – modern machines, which, by lucky coincidence, have all hailed from Bologna; from Ducati bevel-drive Supersports in the 1980s, to a 907ie Paso in the 1990s, some saddle-swap time in the 2000s on a 748, and California road-ribbon cutting on a 1200 Multistrada two years ago. Let’s just say my membership number in the Ducati Riders Club is pretty low, and I’ve kept credentials for 30 years. I’d even ridden a Diavel for Cycle World magazine last summer, but that was in Indiana, of all places, virtually a desert for corner-lovers, and no place for a proper appraisal.

If you’re a rider who enjoys playing pendulum at the end of gravity’s tug, the wide world of fast and competent machines provides endless options, all of which have their merits and demerits. The Diavel exists in a category of its own making, a fact much discussed in the press, and by every rider who first encounters one. Reaction 1; ‘What is that?’  Reaction 2; ‘It must handle like a camel.’  Reaction 3; ‘I love it/ I hate it.’  No sense being coy, the Diavel is a rare Statement in a motorcycle industry cowed by fear into same-sameness.  Before we say anything further, let us praise the decision-makers at Ducati for their bold move, and for succeeding, as the Diavel is clearly a sales success. But my job here is to discuss its success – or not – on the road.

 Ride prep is simple; stick the electronic key in your pocket, flip the 'kill' switch and press the wake-up button, which starts a video onscreen (you were expecting needles on gauges?) of laser-cutting a Diavel logo, a moment of Badass to remind you, rider, of what’s to come.  The screen then allows you’re in one of 3 modes; Urban, Touring, or Sport, computerized miracles to save your ass when things go sideways, or let you fly tetherless like an angry hunting animal. Simply put, the 3 modes are a balance of traction control, anti-lock braking, and horsepower. My esteemed handler from Elite Motors recommended starting in Urban, with least power/most help, and exploring more power/less controls when I felt comfortable. Before we'd even left the parking lot, 5 other monkeys tried out the Diavel’s saddle and poked the controls and my bike had been upgraded from Urban to Sport without my knowledge, and no, I didn’t check before we set out.  Mea culpa.  Result; one lurid rear-wheel slide as I gunned it while banked over, coming out of the first roundabout, and one wheelie on hitting the first decent straightaway.  I realized soon enough this was el Diablo puro, and took it easy on the throttle on that first 15 mile ride.

My second ride, about 120km, promised the green hills and twisting lanes of the lower Pyrenees, in company of a motley assembly of machinery, 1970s and newer, with very competent (read:fast) riders – those Southsider boys don’t hang about.  I clearly had the advantage of horsepower, but the roads were a mix of tight twisties, interspersed with short stretches of open farmland.  How would the mighty (read:large) Diavel take the cut-and-thrust at which smaller machines excel?  And here is the Devil’s surprise; she’s exceedingly well balanced, shockingly nimble actually, and her apparent bulk disappears once she’s in motion, even at low speed.  For a bike so large, this seems nothing short of a miracle, and Ducati’s chassis engineers deserve praise. For all practical purposes, the Diavel feels like a nicely balanced middleweight, albeit with a Lot of horsepower.

Let’s talk about that power.  With plenty of MotoGP experience, wringing giant hp out of v-twins is Ducati’s forte, no surprise there, but it’s the character of that power which constitutes the ride experience.  The Diavel’s power is everywhere, in massive abundance, from 1800 rpm upward to its 9500rpm/164hp redline.  Handfuls of Fast are available to you,instantly.  Generally, this was a joy, although in the really tight stuff, the 50kmh corners following a footpeg-scraping Commando, moderating such awesome urge requires a light touch, extreme moderation, and finesse, even in the ‘softer’ modes of Urban andTouring.  Throttle response on the Diavel is sharp, and at these moments, the true character of the beast is revealed.  The Diavel is a tiger.  Forget this fact at your peril; don't pussy-foot with this machine if you want to ride fast in tight spaces, it requires a tiger-tamer’s muscles, focus, and Will.   In short, a skilled rider will get the best of it, a less-skilled rider will scare himself silly, launched toward parts of the road he hadn’t intended.  Pay attention, be the boss, master the beast.  You’ll be rewarded with all sorts of adrenalin juices, satisfying growly noises from the engine, and rapid arrival at your destination, probably alone…unless there’s another Diavel with you.

Armchair comfort in casual riding situations...(Kristina Fender photo)
In less demanding situations, riding the Diavel gives bags of satisfying grunty power, hurtling you forward at warp speed.  The handling generally is stable and neutral, and I never noticed odd cornering sensations from that fat rear tire (as I did on a Confederate…). The riding position is totally ergonomic for my 6' chassis; super comfortable, with an all-day seat and lower-back-loving upright riding position.  The downsides; without much wind protection above your shoulders, anything north of 150km is blasty and not much fun for the long haul.  The footpegs are devil-horns, pointed and, if you’ve scraped them on tarmac, sharp as hell; I still have scars in the back of my calves from simply parking the beast.  Still, on a long-distance ride, like a California tour of the Sierras or coastal Highway 1, the Diavel would be an absolute blast, the grin-factor and surprising comfort make day-long rides fatigue-free. Anyone with moto-consciousness will take note of the Diavel’s outrageouslooks, and anyone on a lesser machine – this would include most motorcycles - will note being left for dead by a roaring tiger."

July 1, 2012

VILLA D'ESTE REDUX


1960 Maserati 50/T2/SS moped, with clever spare-plug holder, and chin-pads matching the pedals. Cute enough to bite.
Reviewing my photos from the Concorso di Motociclette di Villa d'Este, I realized there were dozens of terrific shots which deserved publication.  A gorgeous event, in a stunning locale, made for easy photo-fodder.  I typically shoot 500 pix/day, even while judging, so parsing 1500 photos from a 3-day visit takes time...but the Web affords the luxury of unlimited photo uploads.  On a technical note; I shoot with a combo of an Olympus PEN EP-3 with a fixed 17mm lens, and a cheapo Sony Cybershot wide-angle - which was my only camera for several years, and makes up the bulk of The Vintagent's photographs (barring a few hundred from my iPhone!). 
Hard-to-see motor room of the Harley Davidson/Aermacchi 'Villa' two-stroke GP racer, the 350RA, with which HD earned a GP World Title in 1976 in the 350cc class.  The water-cooled racer put out 58hp @ 10k rpm.  Harley won the 250cc World Championship 3 years running, from '74-76, using a smaller-capacity version of this machine...the Only world titles earned by HD in its 100+ year history...
Prototypical pair; the BMW 'Concept 6'-cylinder sports prototype, and Husqvarna Moab concept bike.  The 1600cc BMW engine is 4 inches narrower than any previous production '6'...
More protos; this time the super-sleek BMW i8 used in 'Mission Impossible; Ghost Protocol'.
Much less sleek; the 1955 BMW R10 198cc prototype scooter...
The Campagnolo rear magnesium wheel of the HD 350RA racer; inside there's a conical disc brake integral with the hub, with hydraulic actuation.
Head of BMW auto design Adrian van Hooydonk (and now VP of BMW) explains the latest BMW sedan show car.
Rider's eye view of the fantastic 1921 Motosacoche 403 Supersport racer.  Note Gazda leaf-spring handlebars, intended to help rider fatigue by isolating road shocks from the hands, but heavy and wobbly-feeling, ultimately. 
Happy to post as many views of this machine as possible; the lovely Best-in-Show 1939 Gilera Rondine racer at rest, inside the show pavillon.
The 'other side' of the very symmetrical Gilera engine.  Note (starting at bottom, clockwise) circular crankshaft access door built into the frame, shift lever, giant fuel reservoir, double-vane Roots-type supercharger, finned plenum chamber with blow-off valve, near horizontal double-camshaft cylinder heads.  The engine is water cooled, with cylinders integrated to the crankcases.
Happy to be making noise with the 1939 Kompressor Rennsport; Concorso di Moto organizer Stefan Knittel, and Sebastian Gutsch of BMW Klassik
The Ducati 'Hillclimber' special built by Alain Wicki, former world 'skeleton' luge champion.  His Custom is intended to be completely functional and road legal, besides good-looking
A rare 1954 Hoffman S300 flat twin, with pressed-steel frame and super-streamlined engine cases, all the rage in the 1950s, the last days of Art Deco influence in design.  The most expensive 'lightweight' in Germany at 2450DM...only 50DM less than a BMW R50!
Tired of looking at vehicles?  Take a free spin in a J-Boat, although owning one will set you back a cool Million...
Discussing the merits of the 1921 Motosacoche 403 Supersport are Husqvarna's Raffaele Zacagnini and Jury president Carlo Peretti
The unexpected fly-by of the Kompressor over the gravel of Villa d'Este's genteel back garden...ruffling a few feathers, possibly even spilling a martini!  Sebastian Gutsch of BMW Klassik is the lucky handler of the RS255
The lineup in the Racing display...AMF/Harley Davidson/Aermacchi  350RA, 1962 Yamaha TD-1, BMW Kompressor, Gilera 4, Harley 8-Valve, Motosacoche Supersport...an exceptional collection of machines.
One of my favorite Ferraris, a 1964 250 LM, built for Le Mans with a mid-engine to skirt the rules...Enzo claimed it was a 'version' of the 250GTO, even though the 12-cylinder engine was moved behind the driver! So, what was designed as a 'sports racer' had to compete against pure racing cars, but did well against the Cobras and GT40s, winning at Reims, Spa, and LeMans that year.  I still have my Corgi version...
The solid yet feminine lines of the Maico 'Taifun', a technically fascinating and elegantly integrated motorcycle, although few were sold; the German motorcycle industry of the late 1950s was in serious crisis, and many mf'rs went bust.  Taifuns are rare, even more so in such condition. 350cc twin-cylinder two-stroke engine, Earles forks with a cast-aluminum main spar, footpegs which fold into the crankcases...
The elegant 1920 Mars A20 1-liter flat-twin, with fabulously complicated front fork, and box-section chassis, from which the motor hangs.  The engine was built by Maybach...hugely sophisticated for the day, but terribly expensive, and few were sold.

Rider's eye view of the 1937 Mercury with 600cc Scott engine, converted to rotary-valve induction. Complicated, a bit heavy, but a vision of 'futuristic' motorcycling from a 1930s perspective.  Note the integrated ignition/air levers atop the forks, the flush-mounted speedo/ammeter/tach, and reverse levers (technically outdated, but a mark of elegance a lá Brough Superior and BMW)
A late, four-wheel ca.1960 FMR Tg500; FMR took over production of the Messerchmitt KR200 'Kabinenroller', continuing the 'wingless aircraft' postwar production of this famous make.

The microcar lineup at Villa Erba, set up all weekend for public enjoyment.  Visible at the rear is the Show Pavillion

The fantastic, original-condition 1928 Opel Motoclub with 500cc sv Opel engine.  Opel purchased the chassis rights from Ernst Neumann Neander, the eccentric design genius who penned and built the cadmium-plated machine.  This engine appears to be derived from the Kühne engine from Dresden (designed by Franz Gnädig), one of the few 'loose' engine suppliers in Germany of the 'Teens and early '20s. (Many thanks to Ralf Kruger for the info). I'm well overdue for a full appraisal of the Neander/Opel story - but I've been waiting for a road test!  Perhaps next time I'm in Germany...


Handling the outstanding original-condition Opel Motoclub with white gloves...
Michael Paula kickstarts a sulking Brough Superior SS100 with 'MX'  Matchless engine...in his Birkenstocks!
All the way from Michigan; Peter Heydon discusses his 1941 Chrysler 'Woody' Town and Country wagon, a strange fish at Lago di Como, but much appreciated.
No ordinary Norton; this is the 1979 'P42' prototype Wankel-engine Norton, which was never produced in civilian livery, but became the 'Interpol II' in 1984.  Not to be confused with the 'Classic' of 1987, which had many changes.  While Norton only produced rotary-engine machines in the hundreds, they had great success on the race track (in F1 racing and a win at the Isle of Man in 1992), and a variant of their David Garside-designed engine powers US military drones today...
Nice 'pit bike'; the BMW R68 which lurked around BMW's moto-concorso offices...
Fabulous little OSCA 1600SP beneath Villa d'Este's spreading Plane tree.  With similar logic to the Ferrari 'Bread Van', a 'Kamm tail' blunt rear end (named after aerodynamicist Wunibald Kamm) aided airflow by simulating the ideal 'teardrop' shape, but little need was found in practical terms to extend the rear to a point, and the Kamm-tail gave more stable handling.
'Old #49' at rest; the spirit of Georg Meier hovers near this machine...
The 1938 Taurus Sport, a very rare and stylish Italian machine



Fantastic 1930s graphic expression
The power plant of the 1962 Yamaha TD-1; a two-cylinder 250cc two-stroke based on the German Adler design, with crankcases unaltered from their roadster-origin YDS-1 model, Yamaha's first production racer came with a completely new chassis and upper motor.
The TD-1 was the thin edge of the Japanese wedge in racing; inexpensive and very fast, taking a  championship suddenly came within the grasp of privateers the world over.  The dominance of exotic multi-cylinder four strokes in GP racing would soon be over...
The prototype Piaggio 'Vespa' of 1947; right the first time
The AMF/Harley Davidson/Aermacchi 350RA, with inboard-disc Campagnolo magnesium wheels.  Good enough to take the World Championship in 1976

For such a rare car, the Avions Voison T35 has been a staple of big auto show for a year; a different car won Pebble Beach, another sat on the Mullin auto museum stand at Retromobile, plus this one.  Common!








Coaxing a truculent Porsche 917K to life means shifting a lot of bodywork!
A lady and her Porsche...


Dr. Ralf Rodepeter and a charming young guest amble across the red carpet in a BMW Isetta...
1935 BMW R5SS, a rare production racer
This young fellow enjoyed showing the ease of bonnet-lifting on this Reliant 'Bond Bug'



Love, American style; '37 Cord 812 S/C...which means, of course, supercharged
Benito Battilani brought period accessories to ride his '21 HD 8-Valve...
Classic Bike's Hugo Wilson sneaks a photo from the Winner's Circle...
Automotive Concorso emcee Simon Kidston and the esteemed judges of the cars...


Brutale.  The '72 Lamborghini Miura SV/J.





Leslie Kendall of the Petersen Museum chats with an admiring lad from the Petersen's outrageous Art Deco Rolls...






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