Too much clak, clak clak on the mac, not enough wrist-turning brrum brrum, makes Jack a dull lad. So, at the end of the northern hemisphere's riding season, on a cool but clear morning in London's Chelsea district, the offer of a road test on a nice old Brough Superior was like a cup of warm tea in cold hands; a very good idea.
The machine in question wouldn't win a Concours d'Elegance, as it has clearly been - whisper it - ridden quite a lot, and shows the inevitable road chips, cable rubs, and modest oxidation which grows unbidden even in the mildest of climates. Not to say it isn't a beautiful machine in lovely condition; this 1936 Brough Superior SS80 was restored 3000 miles ago by BS-guru Tony Cripps, and kept by a careful owner, to whom proper function was paramount. The result is a motorcycle which starts easily, doesn't drag its clutch in traffic, and is smooth as pudding.
The big finned covers hide the valve stems, and are quickly removed to adjust the valves |
Twin tank fillers, long levers, wide 'bars, Monarch forks, Lucas Magdyno (which worked), 8" Enfield front brake (which didn't), big 8" Lucas headlamp |
The evolution of Brough Superiors reflected the life and personality of the man who made them; George Brough in the 1920s was a demon rider and serious moto-dandy, building the motorcycles he most wanted, which couldn't be found elsewhere in 1919, when he embarked on Superiority. Until other makers began copying the B-S pattern (bulbous-nose saddle tanks, long chassis, big v-twin engine), the Brough was alone at the top of the heap, and in terms of its quality of finish, remained there until the end of production (nominally 1940, although a very few Broughs were assembled during the war, and after, from broken machines or old stock). But, after a few nasty spills in his sprinting days (51 wins out of 52 starts, plus FTD in his last race while sliding on his backside, requiring skin grafts and 8 months in hospital), George fully supported other's efforts at taking major speed records with very special Broughs, but the motorcycles he sold lost their athletic edge... and began to gain weight.
The cast-alloy primary case dripped a little oil, but not on my shoes. Note the Harold 'Oily' Karslake-designed prop stand |
Pull in the very light clutch lever, snick the Sturmey-Archer/Norton gearbox into 1st, without a clunk or other drama (try that on your new BMW...), and the engine rumbles and give off hints at hidden power, while staying pleasantly smooth, and building up speed quickly. Broughs use close-ratio gears (same as a Norton Inter, actually), which means a low 1st, a big gap to second, and the other two not far off. On a big twin with plenty of torque, this doesn't make sense, as there's no need to play 'tunes' on a Brough gearbox, just stick it in a high gear and let the engine do the talking. But, it was the best gearbox available (just ask any Vincent 'A' twin owner their opinion of the Burman 'box and clutch), and had a very 'sporty' spec.
Having ignored the mag and valve levers to start the beast, it was possible to ignore a third, while running - the front brake, which was, like all Broughs with 'Castle' or 'Monarch' leading-link forks, almost useless. As the brake anchor must move with the front wheel, braking power is transmitted through two 'link' pivots, which takes out all the bite. Brough owners have gone to great lengths at times to improve the situation, but dramatic braking brings other problems, ie, very bent forks, as their tubing, while lovely, is hollow and thin-walled. Luckily the rear brake is excellent, but its best to plan your riding lines carefully to avoid the need for panic stops.
Yes, its possible to ride a Brough in modern London traffic |
The Brampton-built 'Monarch' forks do their job well, and that looong frame makes a very stable ride, without compromising smooth cornering. Not that you'll be scratching around corners...well actually you Will be before you know it, especially on left-handers, as the patented prop-stand bolted under the left footrest will dig into tarmac at fairly tame angles of lean. Banking right is a little better, but the low ground clearance (5" from ground to frame tubes), combined with a hefty lug for the raised footrest hangers, mean you're grinding away valuable metal before you expect, if you're used to a true sporting bike, even from the era. The cornering limitations enforce a gentlemanly riding style, fast yes but no corner heroics, just a well-planned line (those brakes) around the bends, all very graceful and relaxed. With a little practice, you'll be Broughing it in style in no time.
Its easy to scoff at the whole Brough 'thing'; decades of embellishing tales (mostly from GB himself) turned some off even in the day, and the current high prices/ego purchases can be eye-rolling, but sweep the rubbish away, and what you have is a beautiful old motorcycle, built to be the best it could be by a demanding rider/designer/manufacturer, which was indeed better than its peers. Superior even.
This motorcycle was kindly loaned by the Gauntlett Gallery, and is currently for sale; check here for details.